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Real or staged? The Oscars Release Formal Statement Along With Message For Will Smith

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An Oscar’s official confirmed on Sunday night that Will Smith slapping Chris Rock across the face during the live taping of the 2022 Oscars was not a planned stunt.

Ramin Setoodeh, the Variety executive editor tweeted from the Dolby Theatre in Hollywood saying, “Someone who works for the Oscars told me that Chris Rock was not interrupted by Will Smith at rehearsals yesterday… It was not supposed to happen. It was real. #Oscars.”

Smith (53), surprised the world when he walked on stage and struck Rock (57) in the face after the comedian joked about Jada Pinkett Smith’s bald head — resulting from her struggle with alopecia.

WATCH THE UNCENSORED EXCHANGE BETWEEN WILL SMITH & CHRIS ROCK

Following this incident with Will Smith’s assault on Chris Rock at Sunday’s ceremony. The organization behind the annual film awards show initially said it condemned violence without mentioning Smith by name, but now it is making its displeasure over the incident more explicit.

“The Academy condemns the actions of Mr. Smith at last night’s show,” a spokesperson for the organization said. “We have officially started a formal review around the incident and will explore further action and consequences in accordance with our Bylaws, Standards of Conduct and California law.”

It appears that Smith may face some type of disciplinary action or sanction, though it’s unlikely he will be made to forfeit his prize. In its official= standards of conduct, the Academy states it is “categorically opposed to any form of abuse.

Smith was named best actor later in the evening. He used his time at the podium to apologize to the Academy and to his fellow nominees — he did not mention Chris Rock.

HOLLYWOOD, CALIFORNIA – MARCH 27: Will Smith accepts the Actor in a Leading Role award for ‘King Richard’ onstage during the 94th Annual Academy Awards at Dolby Theatre on March 27, 2022 in Hollywood, California. (Photo by Neilson Barnard/Getty Images)

Smith, who was named best actor for his portrayal of Richard Williams, the father of tennis greats Venus and Serena Williams, in “King Richard,” had his big night tainted by his outburst. After Chris Rock made a joke about Jada Pinkett Smith’s close cropped haircut, referencing “G.I. Jane,” Smith charged the stage and slapped Rock. He then screamed at Rock to “leave my wife’s name out of your F-ing mouth.” Pinkett Smith has said her hair loss results from alopecia.

“Love will make you do crazy things,” he said, adding, “To do what we do, you got to be able to take abuse. You got to be able to have people talk crazy about you. In this business you got to be able to have people disrespecting you. And you got to smile, you got to pretend like that’s okay.”

ArtSoul Radio is a 24/7, online Christian Radio Station and Entertainment news site promoting new and diverse sounds in Christian music! We highlight both indie and mainstream artists in Contemporary Gospel, Pop, Soul, Hip-Hop, Alternative, and Spoken Word Poetry.

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Naomi Raine & Chandler Moore Announce Their Exits from Maverick City Music: The End of an Era and the Beginning of Something New

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Naomi Raine and Chandler Moore have officially announced their exits from Maverick City Music, marking a major shift for one of the most influential worship collectives of the past decade.

The news arrives without scandal or spectacle, but it still carries weight. Maverick City Music didn’t just produce songs — it helped reframe what worship could sound like, look like, and feel like for a generation raised on genre-blending playlists, vulnerability, and authenticity. Naomi and Chandler were central to that identity.

In many ways, the transition had already begun.

Just weeks before the announcement, Naomi Raine released her solo project, Jesus Over Everything, on September 14. The album feels stripped-back and intentional, less focused on communal anthems and more on personal conviction. Songs like “Lost in Hallelujah” lean into restraint rather than climax — worship that doesn’t rush resolution or try to sound bigger than it is.

Addressing the shift directly, Naomi framed the moment as growth rather than departure.

“This isn’t really an ending. It’s a new beginning. A new chapter,” she wrote. “I learned so much about God, about people, and about myself. Every song was written from a pure place — just wanting to please God.”

Her statement reflects a throughline that’s been present throughout her work: faith as something lived and evolving, not fixed or performative.

Chandler Moore followed with his own message, emphasizing clarity and forward momentum rather than nostalgia.

“These last few years have been locked in on what really matters in my life and my career,” he shared. “It’s been scary at times, but full of fresh vision and real excitement about the future.”

That recalibration has increasingly shaped Chandler’s solo direction, which he says is focused less on production and more on connection.

“I’m stepping into the next phase, ready to make music that helps people feel a little more human, a little more understood, and a little less alone.”

That approach mirrors what drew so many listeners to Maverick City Music in the first place. The collective disrupted traditional worship norms by embracing cultural nuance, emotional honesty, and musical hybridity — pulling from gospel, CCM, soul, and contemporary Black music without forcing clean lines between them.

Naomi and Chandler weren’t just contributors to that sound — they helped define it.

Their exits don’t signal an abandonment of that vision so much as an expansion of it. Naomi’s Jesus Over Everything and Chandler’s forthcoming solo work suggest both artists are exploring what faith-centered music looks like when it’s untethered from a single collective framework.

For fans, the moment may feel like the closing of a chapter — but Maverick City Music was always designed as a community, not a container. Its influence was never meant to stop at the group itself.

As Chandler put it plainly:

“The dream hasn’t changed. The sound continues.”

What changes now is scale and direction, not intent.

Naomi Raine and Chandler Moore aren’t leaving behind what they helped build. They’re carrying it forward — on their own terms, in their own voices, and into whatever comes next.


About ArtSoul Radio

ArtSoul Radio is a faith-forward media and culture platform spotlighting the intersection of Christian R&B, Gospel, CHH, and creative expression. Through storytelling, sound, and community, we amplify the voices shaping the next era of faith-driven culture.

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NEW MUSIC: Jonathan McReynolds & Jamal Roberts Deliver a Soulful Moment with “Still”

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Chicago was the backdrop for a moment you couldn’t script any better: GRAMMY®, Dove, and Stellar Award-winning powerhouse Jonathan McReynolds linking arms with American Idol Season 23 winner Jamal Roberts to deliver a live ballad that hits straight to the soul. Their new single, “Still,” isn’t just another worship record—it’s a reminder that God’s love is the one thing that doesn’t shift when life does.

Recorded live in McReynolds’ hometown, the song is lifted from his forthcoming project Closer—an album already carrying heavy anticipation. What unfolds in “Still” is classic Jonathan: heartfelt storytelling, layered with rich theology, now elevated by Roberts’ fresh, unshaken voice.

👉 Watch the live performance here.

Legacy Meets New Fire 🔥

Jonathan McReynolds has carved out a lane few can touch—an artist who makes Gospel feel as real as your group chat confessions. His catalog has always balanced honesty and worship, bringing Sunday morning depth into everyday playlists.

Enter Jamal Roberts: the new voice America fell in love with on American Idol. His win wasn’t just about vocal ability—it was about heart, authenticity, and the kind of presence that feels rare. Pairing him with McReynolds doesn’t just make sense; it feels prophetic. It’s the kind of intergenerational link-up that keeps Gospel fresh while honoring its roots.

The Vibe

With “Still,” Jonathan McReynolds and Jamal Roberts don’t just give us another Gospel single—they give us a soundtrack for resilience. It’s raw, it’s soulful, and it’s proof that the future of faith-based music is in good hands. Expect this one to be on repeat long after the Stellars.

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ArtSoul Radio & Actor Empowerment Summit Host Sneak Peek of BET+ Series Churchy with KevOnStage at XL Film Fest

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Chicago, IL — August 17, 2025 – ArtSoul Radio is teaming up with the XL Film Festival, The Actor Empowerment Summit, and BET+ to bring fans an exclusive sneak peek of KevOnStage’s hit comedy series Churchy. This one-night event will feature a special panel conversation with KevOnStage and the full cast, moderated by Chicago’s own Christal Luster, along with an advance screening of highlights from Season 2.

A First Look at Churchy Season 2

Fans will get a behind-the-scenes look at Season 2 of Churchy ahead of its official August 21 premiere on BET+. Kevin “KevOnStage” Fredericks returns as Pastor Corey Carr Jr., navigating church leadership, unexpected debts, and laugh-out-loud moments with his eccentric team. The new season promises fresh surprises with appearances by Tabitha Brown, Kirk Franklin, Lecrae, Keith Lee, Tony Baker, and many more.

Chicago Exclusive – Then Available for ArtSoul Radio Community Members

Chicago, IL — August 17, 2025 – ArtSoul Radio is teaming up with the XL Film Festival, The Actor Empowerment Summit, and BET+ to bring fans an exclusive sneak peek of KevOnStage’s hit comedy series Churchy. This one-night event will feature a special panel conversation with KevOnStage and the full cast, moderated by Chicago’s own Christal Luster, along with an advance screening of highlights from Season 2.

A First Look at Churchy Season 2

Fans will get a behind-the-scenes look at Season 2 of Churchy ahead of its official August 21 premiere on BET+. Kevin “KevOnStage” Fredericks returns as Pastor Corey Carr Jr., navigating church leadership, unexpected debts, and laugh-out-loud moments with his eccentric team. The new season promises fresh surprises with appearances by Tabitha Brown, Kirk Franklin, Lecrae, Keith Lee, Tony Baker, and many more.

Chicago Exclusive – Then Available for ArtSoul Radio Community Members

For those in Chicago, the August 17th event offers a one-of-a-kind opportunity to engage live with KevOnStage and his cast. Can’t make it in person? Join the ArtSoul Radio community to gain exclusive access to the full panel replay after the event.

Click here to sign up and stay connected. Community members will be the first to receive:

  • A private link to the full panel replay
  • Behind-the-scenes clips and highlights
  • Special giveaways tied to Churchy Season 2

Why This Event Matters

Partnering with XL Film Fest and The Actor Empowerment Summit to bring this BET+ collaboration to Chicago is more than entertainment—it’s a cultural moment for faith-based media. It reflects the growth of Christian creatives in film, comedy, and storytelling while highlighting Chicago as a hub for innovative cultural conversations.

About Churchy

After debuting as one of the most-watched scripted comedies on BET+, Churchy quickly built a loyal fan base. Season 2 expands the storylines, bringing new characters, guest stars, and bigger laughs—all while spotlighting themes of faith, community, and resilience. Produced by KevOnStage Studios alongside industry leaders and executive producers like LeBron James and Maverick Carter (SpringHill), the show continues to elevate digital-first creators onto global platforms.

ArtSoul Radio teams up with XL Film Fest, the Empowerment Actor Summit & BET+ for an exclusive Chicago screening and panel of KevOnStage’s “Churchy” Season 2.

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