This week, media outlets have been rushing to share news of Brandy teaming up with Sir The Baptist on new music! Brandy seems to have also officially confirmed her relationship with the Chicago artist. Click on the right of the image below to swipe left to see the photos that have everyone talking:
Many of the photos these two have been posting in the last few days has left everyone wondering, who is Sir The Baptist? Naming himself “The Chaplin of Hip Hop”, Sir The Baptist’s previous releases include the single “Wake Up” which exposes some of the challenges Chicago and the African American community as a whole face on a daily basis.
If you’re new to his music, check out his older single, “Wake Up” below:
Growing up a preacher’s kid, Sir The Baptist’s music has often been known to carry a church theme along with a sound that blends Gospel and hip-hop. He also has a strong background in jazz and soul which can also be heard in his music.
In 2015, Sir The Baptist was quoted by the Chicago Tribune saying the following about why he keeps a church theme within his music:
“It has a church theme because I’m a church boy… People don’t know what’s is like to be a church kid, so I’ll be giving folks a peek. There’s no messing around,” he said. “All of these records deal with that kind of stuff, but in order for somebody to talk about it, you have to be OK with being a preacher’s kid, which I am.”
Although his music had not officially been given the title of “Gospel/Christian” music, his 2016 single, “Raise Hell” gave him the title of Bronzville’s Bad Boy of Gospel in the Chicago Defender. However, in a recent interview, Sir The Baptist cleared up the confusion when he told Essence that he does not consider himself to be a Christian artist. While his music seems to have recently taken a turn from officially being labeled as Gospel/Christian music, he has continued to collaborate with a blend of artists from various genres on his latest album Saints & Sinners, including Brandy, Jay Z, Donald Lawerence, Michelle Williams, Keke Wyatt, Ray J, Killer Mike, Jordan Mitchell, and The Deacons.
In his new self-produced single, “Deliver Me” Sir The Baptist teams up with Brandy to share a true story inspired by his sister’s experience of suffering physical abuse at the hands of the church deacon who was also her husband.
Listen To “Deliver Me” (Full Single)
While some are wondering if the relationship hints being shared by Brandy and Sir The Baptist on social media are all just apart of a marketing ploy, his brother recently made this statement about the photo below on Instagram:
“So it seems that this picture has sparked a flame on the internet! @sirthebaptist is MY brother and it’s MY job to protect not just who he is but what he represents. He is dating @4everbrandy and so I as a brother have to protect her as I do him. Welcome to the family #branthebaptist#BrandyTheBaptist. May you both be not just and inspiration to EACHOTHER, but a ?to the world!”
Whether the news of their relationship is a rumor or an absolute confirmation, Brandy is clearly enjoying herself traveling and creating new music with him:
Note:While this artist may have taken a turn from being affiliated with Christian music with this album, we plan to revisit his work during a coming discussion on the purpose of music, the evolution of an artist, and the shifting of culture and how music shapes it. We will include your comments and invite you into that conversation on-air during our “Off The Record” radio show soon.
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After a three-city string of private listening events and insightful new interview with Sway In The Morning, Miami’s own Aklesso unveils his deeply personal album Still Lonely, released via Rodney Jerkins’ Alienz Alive. A follow-up to his praised 2024 album Lonely, the project solidifies him as one of Hip-Hop’s most honest storytellers.
Produced by Okay.Benny, William Soolua, and GLEECE, Still Lonely is a vulnerable, atmospheric exploration of fatherhood, faith, abandonment, and generational healing. The album expands the emotional universe introduced through his recent singles, including the Lecrae-collaborated single “Lonely” and the Darrel Jones–directed “Range!” featuring 1K Phew.
Listen to Still Lonely in its entirety below and watch his intimate conversation with Darkchild below:
“Aklesso’s story, his culture, and his sound all carry a weight that this generation needs to hear. From Miami to Haiti to the global stage, he’s not just making records, he’s making an impact. At Alienz Alive, we’re about building legacy, and Aklesso embodies that. I couldn’t be more excited to walk this journey with him.”
The Haitian lyricist, Aklesso, shares:
“This is the most honest project I’ve ever made. It’s not about perfect answers, it’s about presence. It’s about realizing God was with me even in the moments I felt the most alone.”
Be sure to stream and purchase this latest release – Now Available everywhere where music is sold.
Aklesso and Jon Keith — both artists signed to legendary producer Rodney Jerkins’ label Alienz Alive — have released fresh visuals for their collaborative single, “Freedom.” The record blends hard-hitting Hip Hop energy with smooth, melodic vocals, creating a sound that feels emotionally raw while remaining sonically intentional.
While both artists are often categorized as Hip Hop, Freedom exists beyond strict genre lines. The collaboration reflects a layered musical identity — Hip Hop at its core, but shaped by vulnerability, reflection, and a willingness to confront real-life struggles head-on.
At the heart of Freedom is a conversation many artists — and listeners — are quietly having: how do you break generational cycles without becoming consumed by them?
Aklesso’s verses pull listeners into an unfiltered space, addressing trauma, fear, and mental health battles that often go unspoken. Lines wrestling with destiny, survival, and internal conflict give the song its emotional weight, while the repeated declaration — “Promise you, promise God, I will never repeat the trauma” — stands as both a confession and a commitment. It’s not framed as perfection, but as responsibility.
Jon Keith’s chorus offers balance and resolve, reframing freedom as something that requires intention and partnership. “There’s freedom if we try… if we fight” positions healing as an active process — one that involves effort, faith, and community rather than isolation. The repeated refrain, “It’s you and I,” underscores the idea that freedom isn’t achieved alone.
The visuals echo that same tension between struggle and hope. Clean, focused imagery allows the message to lead, reinforcing the song’s core theme: freedom is not just personal — it’s generational. Choosing healing today shapes what gets passed on tomorrow.
In a cultural moment where conversations around mental health, faith, and generational healing are becoming more urgent, “Freedom” lands as more than a collaboration. It’s a statement — one rooted in honesty, faith, and the courage to choose a different path forward.
WATCH THE VIDEO HERE:
WATCH: ArtSoul Radio’s Exclusive Interview with Aklesso & Jon Keith on “Freedom”
Chicago was the backdrop for a moment you couldn’t script any better: GRAMMY®, Dove, and Stellar Award-winning powerhouse Jonathan McReynolds linking arms with American Idol Season 23 winner Jamal Roberts to deliver a live ballad that hits straight to the soul. Their new single, “Still,” isn’t just another worship record—it’s a reminder that God’s love is the one thing that doesn’t shift when life does.
Recorded live in McReynolds’ hometown, the song is lifted from his forthcoming project Closer—an album already carrying heavy anticipation. What unfolds in “Still” is classic Jonathan: heartfelt storytelling, layered with rich theology, now elevated by Roberts’ fresh, unshaken voice.
Jonathan McReynolds has carved out a lane few can touch—an artist who makes Gospel feel as real as your group chat confessions. His catalog has always balanced honesty and worship, bringing Sunday morning depth into everyday playlists.
Enter Jamal Roberts: the new voice America fell in love with on American Idol. His win wasn’t just about vocal ability—it was about heart, authenticity, and the kind of presence that feels rare. Pairing him with McReynolds doesn’t just make sense; it feels prophetic. It’s the kind of intergenerational link-up that keeps Gospel fresh while honoring its roots.
The Vibe
With “Still,” Jonathan McReynolds and Jamal Roberts don’t just give us another Gospel single—they give us a soundtrack for resilience. It’s raw, it’s soulful, and it’s proof that the future of faith-based music is in good hands. Expect this one to be on repeat long after the Stellars.