Naomi Raine and Chandler Moore have officially announced their exits from Maverick City Music, marking a major shift for one of the most influential worship collectives of the past decade.
The news arrives without scandal or spectacle, but it still carries weight. Maverick City Music didn’t just produce songs — it helped reframe what worship could sound like, look like, and feel like for a generation raised on genre-blending playlists, vulnerability, and authenticity. Naomi and Chandler were central to that identity.
In many ways, the transition had already begun.
Just weeks before the announcement, Naomi Raine released her solo project, Jesus Over Everything, on September 14. The album feels stripped-back and intentional, less focused on communal anthems and more on personal conviction. Songs like “Lost in Hallelujah” lean into restraint rather than climax — worship that doesn’t rush resolution or try to sound bigger than it is.
Addressing the shift directly, Naomi framed the moment as growth rather than departure.
“This isn’t really an ending. It’s a new beginning. A new chapter,” she wrote. “I learned so much about God, about people, and about myself. Every song was written from a pure place — just wanting to please God.”
Her statement reflects a throughline that’s been present throughout her work: faith as something lived and evolving, not fixed or performative.
Chandler Moore followed with his own message, emphasizing clarity and forward momentum rather than nostalgia.
“These last few years have been locked in on what really matters in my life and my career,” he shared. “It’s been scary at times, but full of fresh vision and real excitement about the future.”
That recalibration has increasingly shaped Chandler’s solo direction, which he says is focused less on production and more on connection.
“I’m stepping into the next phase, ready to make music that helps people feel a little more human, a little more understood, and a little less alone.”
That approach mirrors what drew so many listeners to Maverick City Music in the first place. The collective disrupted traditional worship norms by embracing cultural nuance, emotional honesty, and musical hybridity — pulling from gospel, CCM, soul, and contemporary Black music without forcing clean lines between them.
Naomi and Chandler weren’t just contributors to that sound — they helped define it.
Their exits don’t signal an abandonment of that vision so much as an expansion of it. Naomi’s Jesus Over Everything and Chandler’s forthcoming solo work suggest both artists are exploring what faith-centered music looks like when it’s untethered from a single collective framework.
For fans, the moment may feel like the closing of a chapter — but Maverick City Music was always designed as a community, not a container. Its influence was never meant to stop at the group itself.
As Chandler put it plainly:
“The dream hasn’t changed. The sound continues.”
What changes now is scale and direction, not intent.
Naomi Raine and Chandler Moore aren’t leaving behind what they helped build. They’re carrying it forward — on their own terms, in their own voices, and into whatever comes next.
About ArtSoul Radio
ArtSoul Radio is a faith-forward media and culture platform spotlighting the intersection of Christian R&B, Gospel, CHH, and creative expression. Through storytelling, sound, and community, we amplify the voices shaping the next era of faith-driven culture.