Lauren Daigle leads with 6 nominations, including Artist of the Year;
Hillsong UNITED and Chris Tomlin garner 5
Songwriter Jason Ingram scores 7 nods, including Song of the Year
This year’s Award Show will be held live Tuesday, October 11 at Lipscomb University
and will air on TBN on Sunday, October 16
NASHVILLE, Tenn. (August 2016) – The Gospel Music Association (GMA) recently announced the nominees in 44 categories for the 47th Annual GMA Dove Awards. The awards show will take place on Tuesday, October 11, 2016 at Lipscomb University’s Allen Arena in Nashville at 6:30 p.m. CST. Trinity Broadcasting Network (TBN) will exclusively air the awards show on Sunday, October 16, reaching over 100 million viewers in the U.S., plus global and multi-platform distribution. Voting for the final winners will run August 23 through August 30.
Lauren Daigle leads artist nominations with six, followed by Hillsong UNITED and Chris Tomlin with five. Anthony Brown, Bill Gaither, Danny Gokey, Jonathan McReynolds, Kirk Franklin, Matthew West and Tasha Cobbs tally four nods each. Songwriter Jason Ingram scores seven nods, including “Song of the Year.” To see the full list of nominees, visit the Dove Awards website here.
The GMA also announced the theme for 2016:
“Our theme this year is ‘Love. Amplified.,’ a phrase we believe encompasses the collective power & impact of our music. At a time when so much of the world is divided and hostility is in the air, we will turn up the volume of love and the hope that can only be found in Jesus Christ.”
TBN Chairman Matt Crouch said that the faith-and-family network is thrilled once again to serve as the exclusive broadcast partner for the GMA Dove Awards. “The Dove Awards set the standard for excellence in the field of Gospel and Christian music,” he said. “And as always, TBN is excited to share with our global audience this incredible evening honoring those who create the music that brings hope and changes lives.”
The nominees in the following categories were revealed at the press conference August 10th:
ARTIST OF THE YEAR
for KING & COUNTRY, Word Entertainment Hillsong UNITED, Hillsong Music Australia/Sparrow Records Lauren Daigle, Centricity Music Lecrae, Reach Records TobyMac, ForeFront Records
NEW ARTIST OF THE YEAR
Hollyn, Gotee Records Jordan Feliz, Centricity Music Stars Go Dim, Word Entertainment Travis Greene, RCA Inspiration We Are Messengers, Word Entertainment
TRADITIONAL GOSPEL ALBUM OF THE YEAR
Everyday Jesus – Anthony Brown & group therAPy, (producers) Anthony Brown, Justin Savage We Give You Praise – Chicago Mass Choir, (producers) Percy Gray, Jr., Demetrius Banks, Cornelius Doles, Felica Welch, Dr. Feranda Williamson WAP New Era – James Hall Worship & Praise, (producers) James Hall, Troy Chambers, Dr. Kevin Bond Powerful – Japan Mass Choir, (producer) DA Johnson Level Next– John P. Kee, (producer) John P. Kee
RAP/HIP HOP ALBUM OF THE YEAR
Uncomfortable – Andy Mineo, (producers) 42 North, Alex Medina, Black Knight, Daniel Steele, Dirty Rice, Elhae, Gabriel Lambirth, Gawvi, Illmind, Jon Bellion Therapy Session – NF, (producers) Tommee Profitt, David Garcia, The720 Church Clothes 3 – Lecrae, (producers) Black Knight, Epikh Pro, GAWVI, Mykalife, Ryan Righteous, S1 This Time Around – Tedashii, (producers) Gabriel Azucena, Jamaal “Elhae” Jones, Crystal “Crystal Nicole” Johnson-Pompey, John “The Kracken” Williams Forward – Flame, (producers) SPEC, Courtney Orlando, G. Roc
ROCK/CONTEMPORARY ALBUM OF THE YEAR
Cities – Live In New York City – Anberlin, (producer) Aaron Sprinkle Sound Of The Saints – Audio Adrenaline, (producers) Seth Mosley, Joshua Silverberg, Nick Baumhardt Dead Man Walking – John Tibbs, (producer) Ben Shive The Wonderlands: Sunlight & Shadows – Jon Foreman, (producers) Tyler Strickland, Anton Patzner, Neal Avron, Keith Tutt, Aaron Roche, Dan Brigham, Jeremy Lutito, Jason Morant Surrender – Kutless, (producer) Aaron Sprinkle
POP/CONTEMPORARY RECORDED SONG OF THE YEAR
“My Story” – Big Daddy Weave, (writers) Mike Weaver, Jason Ingram “Just Be Held” – Casting Crowns, (writers), Mark Hall, Bernie Herms, Matthew West “Good Good Father” – Chris Tomlin, (writers) Pat Barrett, Tony Brown “Tell Your Heart To Beat Again” – Danny Gokey, (writers) Bernie Herms, Randy Phillips, Matthew West “The River” – Jordan Feliz, (writers) Jordan Feliz, Colby Wedgeworth, Joshua Silverberg “Trust In You” – Lauren Daigle, (writers), Paul Mabury, Michael Farren, Lauren Daigle
SOUTHERN GOSPEL RECORDED SONG OF THE YEAR
“Jesus Changed Everything” – Ernie Haase & Signature Sound, (writers) Ernie Haase, Wayne Haun, Joel Lindsey “Jesus Gave Me Water” – Gaither Vocal Band, (writer) Lucie E. Campbell “I Am Blessed” – Karen Peck & New River, (writers) Karen Peck Gooch, Kenna West, Michael Farren “Keep On” – Perrys, (writers) Wayne Haun, Joel Lindsey “Jesus, The One” – The Hoppers, (writer) Paula Stefanovich
WORSHIP SONG OF THE YEAR
“No Longer Slaves” – (writers) Jonathan David Hesler, Brian Johnson, Joel Case (publisher) Bethel Music Publishing “Good Good Father” – (writers) Pat Barrett, Anthony Brown (publishers) Vamos Publishing, Capitol CMG Parago, Common Hymnal Publishing, Housefires Sounds, Tony Brown Publishing Designee, worshiptogether.com songs, sixsteps Music “Touch the Sky” – (writers) Joel Houston, Dylan Thomas, Michael Guy Chislett (publisher) Hillsong Music Publishing “We Believe” –(writers) Travis Ryan, Richie Fike, Matt Hooper (publishers) Integrity Worship Music, Integrity’s Praise! Music, Life Worship, Travis Ryan Music “Even So Come” – (writers) Jess Cates, Jason Ingram, Chris Tomlin (publisher) S. D. G. Publishing, Sixsteps Songs, Worship Together Music, Open Hands Music, So Essential Tunes, Lily Makes Music
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Reach Records, the influential label founded by GRAMMY Award-winning artist Lecrae and home to some of the industry’s most impactful voices, including Tedashii, Anike, Hulvey, and Trip Lee, officially announces the signing of Atlanta’s 2819 Worship from 2819 Church, headed by Pastor Philip Anthony Mitchell, to its roster. The announcement was made during 2819 Church’s powerful Good Friday service, where the news was met with overwhelming excitement from attendees and the broader faith community, and caused a chatter among fans and churchgoers online. This partnership signals a powerful move in worship music.
Speaking on the partnership, Reach Records founder Lecrae shared:
“The gospel has always been at the center of Reach Records’ vision. While our roots are in hip-hop, our mission has always been to create space for the full expression of faith music, message, and movement. I’ve personally been impacted by Pastor Philip’s teaching and inspired by what God is doing through this community. As we’ve spent time together, it’s become clear that there’s a genuine alignment that makes this feel less like a partnership and more like a shared calling. We’re excited to help carry the sound, the message, and the culture of this house to new audiences.”
Lonnell Williams, Executive Pastor of 2819 Church and COO of 2819 Worship, added:
“2819 Worship was built on one conviction: Christ above everything.
Every song. Every collaboration. Every decision — filtered through that single standard. So when we looked at Reach Records, we weren’t evaluating a label. We were evaluating alignment. And what we found was an organization that has spent nearly two decades putting the Gospel at the center of their work, their artists, and their culture.
This partnership is the fruit of obedience. God opened this door. We walked through it.
And we don’t take lightly what it means to be the first worship team ever signed to a predominantly Christian hip-hop label. That’s not a milestone we chased. That’s a door God opened — and it comes with responsibility. Because firsts don’t just make history. Firsts set the standard for everyone who comes after.
We believe this is a moment for CCM. Not just hip-hop. Not just worship. Vertical worship that is solely unto Christ — in the fullest sense of the word. Diverse in sound. Rich in expression. Uncompromising in message. The name of Christ deserves every genre, every room, and every generation. We intend to build in all of them.
Reach Records understands assignments. So do we. That’s why we’re here — and that’s why we’re just getting started.
Ultimately, 2819 is a house of ‘Prayer, Presence, and Proclamation’ —we are so ready for the rest of the world to step into that presence we experience every Sunday gathering!”
While the collective’s debut single under Reach Records has not yet been confirmed, fans are already rallying behind “For Christ Alone,” a song that has generated significant momentum online with over 1 million impressions and growing demand from Christians nationwide.
According to CBN, 2819 Church has rapidly emerged as one of the most dynamic and fastest-growing churches in America. The church has grown from fewer than 200 weekly attendees in 2023 to approximately 6,000 today, often exceeding building capacity and utilizing overflow rooms every Sunday. Lines form as early as 5:30 AM, reflecting the hunger and anticipation surrounding each gathering. In October, the church hosted its ACCESS prayer event, drawing nearly 40,000 to State Farm Arena, filling both the main venue and a nearby convention center; an extraordinary testament to the movement taking place within this community.
This landmark partnership signals a powerful convergence of culture and worship, positioning 2819 Worship to bring its distinct sound and message to audiences worldwide. As Reach Records continues to expand its influence across genres, the addition of 2819 Worship underscores a shared mission: to elevate the name of Christ through music that transcends boundaries and reaches every generation.
For more information on the signing of 2819 Worship, please visit www.reachrecords.com.
Naomi Raine and Chandler Moore have officially announced their exits from Maverick City Music, marking a major shift for one of the most influential worship collectives of the past decade.
The news arrives without scandal or spectacle, but it still carries weight. Maverick City Music didn’t just produce songs — it helped reframe what worship could sound like, look like, and feel like for a generation raised on genre-blending playlists, vulnerability, and authenticity. Naomi and Chandler were central to that identity.
In many ways, the transition had already begun.
Just weeks before the announcement, Naomi Raine released her solo project, Jesus Over Everything, on September 14. The album feels stripped-back and intentional, less focused on communal anthems and more on personal conviction. Songs like “Lost in Hallelujah” lean into restraint rather than climax — worship that doesn’t rush resolution or try to sound bigger than it is.
Addressing the shift directly, Naomi framed the moment as growth rather than departure.
“This isn’t really an ending. It’s a new beginning. A new chapter,” she wrote. “I learned so much about God, about people, and about myself. Every song was written from a pure place — just wanting to please God.”
Her statement reflects a throughline that’s been present throughout her work: faith as something lived and evolving, not fixed or performative.
Chandler Moore followed with his own message, emphasizing clarity and forward momentum rather than nostalgia.
“These last few years have been locked in on what really matters in my life and my career,” he shared. “It’s been scary at times, but full of fresh vision and real excitement about the future.”
That recalibration has increasingly shaped Chandler’s solo direction, which he says is focused less on production and more on connection.
“I’m stepping into the next phase, ready to make music that helps people feel a little more human, a little more understood, and a little less alone.”
That approach mirrors what drew so many listeners to Maverick City Music in the first place. The collective disrupted traditional worship norms by embracing cultural nuance, emotional honesty, and musical hybridity — pulling from gospel, CCM, soul, and contemporary Black music without forcing clean lines between them.
Naomi and Chandler weren’t just contributors to that sound — they helped define it.
Their exits don’t signal an abandonment of that vision so much as an expansion of it. Naomi’s Jesus Over Everything and Chandler’s forthcoming solo work suggest both artists are exploring what faith-centered music looks like when it’s untethered from a single collective framework.
For fans, the moment may feel like the closing of a chapter — but Maverick City Music was always designed as a community, not a container. Its influence was never meant to stop at the group itself.
As Chandler put it plainly:
“The dream hasn’t changed. The sound continues.”
What changes now is scale and direction, not intent.
Naomi Raine and Chandler Moore aren’t leaving behind what they helped build. They’re carrying it forward — on their own terms, in their own voices, and into whatever comes next.
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The Stellar Plus Experience is the official, multi-day event leading up to the Stellar Gospel Music Awards. It’s a celebration of faith, music, and culture, offering a range of activities beyond the main awards show. This includes masterclasses, fashion showcases, comedy shows, and special events that enhance the overall Stellar Awards experience. This has also become the space for emerging talent show up and be heard. Don’t miss this experience during Stellar weekend! There will be something for everyone!
For more details on all of the available events for this year, visit the Stellar Plus Experience website: www.stellarexperienceplus.com