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“What’s Beef?”: Disagreements In CHH (Opinion Piece)

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*Disclaimer: The views and opinions in this article are that of the writer and do not reflect the views of ArtSoul Radio.

“What’s beef?  Beef is when you need 2 Gats to go to sleep
Beef is when your moms ain’t safe up in the streets
Beef is when I see you
Guaranteed to be in ICU”

Let’s be clear, the Notorious B.I.G adequately explained what beef is/was and the foolishness currently going on in the tiny pond that is CHH is more like tofu.  Recently, legendary theology lyricist Shai Linne released what many speculate as a “diss”record entitled Random Thoughts 3.  Shai is no stranger to controversy.  He made a great deal of noise in 2013 with his single Fal$e Teacher$ calling out prosperity preachers including Joel Osteen and Paula White.  As of late, he’s grown agitated with the mainstream route CHH has gone and since Lecrae has spearheaded this movement, many believe he is taking aim at the Reach Records owner and front man.

How Did This Happen?

I suppose it’s best to start from the beginning of this ongoing topic.  After much success at churches, youth and evangelical conferences, Lecrae decided to make a shift in not only his music but his targeted demographic.  In 2012 he began working with “secular” artists and producers, releasing his first Church Clothes mixtape with DJ Don Cannon and his Grammy winning LP Gravity which featured Big K.R.I.T.  It was around this time that Lecrae began to say things like “I don’t want to be put into a box” or “I’m not a fan of labels” and most debated of all, “I’m a rapper that’s a Christian, not a Christian rapper.”

From here things began to spiral out of control.  Fans and artists alike were up in arms.  Many couldn’t understand his views and were appalled that he would begin to work and create relationships with artists that didn’t ascribe to his beliefs.  Some felt abandoned, while others were perfectly fine with this change.  While making TV and/or radio appearances Lecrae began to be more broad and general in his statements about his faith.  Though not totally ashamed, it wasn’t the usual 1-1-6 Lecrae we all had grown to love and appreciate.

The Current Climate

Fast forward to 2017 and many up and coming artists see the success Lecrae has had and they want to follow in his footsteps.  More and more rappers are shying away from the Christian title and making music that is not solely about Christ.  Much of the music coming from rappers for Jesus today is ambiguous and vague.  Artists want to create songs that will appeal to the masses and this doesn’t sit well with the forefathers of CHH, Shai Linne being one of them.  So Shai decided to release Random Thoughts 3, which in turn caused Ruslan to respond in Random Thoughts 4, which triggered a comeback from Shai Linne label mates Hazakim entitled Spare the Rod, which will cause who knows to respond next.  Hazakim has since taken their song off of YouTube and Ruslan and Shai Linne are reportedly working to clear the air.  However, the damage has been done.

I, unfortunately, didn’t make it to this year’s Legacy conference, but from calls, texts and social media posts I can tell things were somewhat tense.  Everyone was talking about this latest “beef” and I’m in utter disbelief.  At a conference where the focus should be on becoming better disciples of the gospel, held in a city that is known in Africa for two things, Michael Jordan and guns, how is the main topic of discussion in the lunchroom diss records?  I live in Chicago and babies are dying on the streets my family walk by daily.  My wife was recently laid off and money is a little tight.  I’m turning 30 in less than 7 weeks.  My check engine light is on right now.  I’m trying to live a life that’s most impactful to my sphere of influence and see as much of the world as I can before I leave this place.  I’ve got enough to deal with.  I don’t have the time to count how many times an artist said Jesus on a track or if he took out the time to explain the gospel on Sway in the Morning.

Moving Forward

We’ve created an idol out of a genre of music and when people don’t bow down to it we throw them in the fiery furnace.  All sides had a role to play and repentance is needed on all fronts for self-righteousness, lack of humility, jealousy, envy, and I’m sure the list could go on.  If you don’t like what Lecrae is doing with his platform, build your own and scream Jesus until your face turns blue.  Or, instead of spending so much time and energy combating what Lecrae is doing, why not champion the artists that are doing what you like.  If you want to hear more gospel centered music, show support to Bizzle, Flame, Da Truth, KB and others more.  If you’re a pioneer in CHH and you’re concerned with where it’s headed, pour into the artists that are coming up.  I’ll assume that not many, if any, of the rappers from the new generation have received advice or guidance from the forefathers of CHH.  It appears that the legends only come out to negatively speak on what they don’t like.  On the flip side, if you want to operate in musical freedom, do that but don’t demonize the church.  Don’t look down from your hip-hop high horse at the artists you once called peers or the ones operating in the space you helped create. There is nothing corny about rapping for Jesus or pointing people to the only source of hope and salvation.  It is corny, however, to not take the art form of rap seriously and feeling content with being a wack emcee, but there are a slew of rappers outside of the body of Christ that fit that mold.

CHH, like mainstream hip-hop, is overflowing with some talented artists and some not-so-talented artists.  Rappers should make the music that authentically represents them and their beliefs and listeners should support what they like, period.  As Christians, we should certainly hold each other accountable for our actions and our words, but this debate over preferences has to stop.  There is plenty of space and opportunity for everyone to operate in their lane and their calling.  If you’ve got time to examine interviews, dissect rap lyrics and debate over social media, one might wonder when you have the time to make a difference in someone’s life.  Listen; too much is at stake for us to argue amongst ourselves about something so trivial.  Like Shai said, “On top of all that, Donald Trump’s the president.”

 

Listen to Shai Linne’s Random Thoughts 4 here:

<iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/qW8xxxRRZNk” frameborder=”0″ allowfullscreen></iframe>

Listen to Ruslan’s Random Thoughts 4 here:

<iframe width=”100%” height=”166″ scrolling=”no” frameborder=”no” src=”https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/334296597&amp;color=ff5500″></iframe>

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Entertainment

Reach Records Announces The Signing of Their First Worship Collective “2819 Church”

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Reach Records, the influential label founded by GRAMMY Award-winning artist Lecrae and home to some of the industry’s most impactful voices, including Tedashii, Anike, Hulvey, and Trip Lee, officially announces the signing of Atlanta’s 2819 Worship from 2819 Church, headed by Pastor Philip Anthony Mitchell, to its roster. The announcement was made during 2819 Church’s powerful Good Friday service, where the news was met with overwhelming excitement from attendees and the broader faith community, and caused a chatter among fans and churchgoers online. This partnership signals a powerful move in worship music.

Speaking on the partnership, Reach Records founder Lecrae shared:

“The gospel has always been at the center of Reach Records’ vision. While our roots are in hip-hop, our mission has always been to create space for the full expression of faith music, message, and movement. I’ve personally been impacted by Pastor Philip’s teaching and inspired by what God is doing through this community. As we’ve spent time together, it’s become clear that there’s a genuine alignment that makes this feel less like a partnership and more like a shared calling. We’re excited to help carry the sound, the message, and the culture of this house to new audiences.”

Lonnell Williams, Executive Pastor of 2819 Church and COO of 2819 Worship, added:

“2819 Worship was built on one conviction: Christ above everything.

Every song. Every collaboration. Every decision — filtered through that single standard. So when we looked at Reach Records, we weren’t evaluating a label. We were evaluating alignment. And what we found was an organization that has spent nearly two decades putting the Gospel at the center of their work, their artists, and their culture.

This partnership is the fruit of obedience. God opened this door. We walked through it.

And we don’t take lightly what it means to be the first worship team ever signed to a predominantly Christian hip-hop label. That’s not a milestone we chased. That’s a door God opened — and it comes with responsibility. Because firsts don’t just make history. Firsts set the standard for everyone who comes after.

We believe this is a moment for CCM. Not just hip-hop. Not just worship.  Vertical worship that is solely unto Christ  — in the fullest sense of the word. Diverse in sound. Rich in expression. Uncompromising in message. The name of Christ deserves every genre, every room, and every generation. We intend to build in all of them.

Reach Records understands assignments. So do we. That’s why we’re here — and that’s why we’re just getting started.

Ultimately, 2819 is a house of ‘Prayer, Presence, and Proclamation’ —we are so ready for the rest of the world to step into that presence we experience every Sunday gathering!”

While the collective’s debut single under Reach Records has not yet been confirmed, fans are already rallying behind “For Christ Alone,” a song that has generated significant momentum online with over 1 million impressions and growing demand from Christians nationwide.

According to CBN, 2819 Church has rapidly emerged as one of the most dynamic and fastest-growing churches in America. The church has grown from fewer than 200 weekly attendees in 2023 to approximately 6,000 today, often exceeding building capacity and utilizing overflow rooms every Sunday. Lines form as early as 5:30 AM, reflecting the hunger and anticipation surrounding each gathering. In October, the church hosted its ACCESS prayer event, drawing nearly 40,000 to State Farm Arena, filling both the main venue and a nearby convention center; an extraordinary testament to the movement taking place within this community.

This landmark partnership signals a powerful convergence of culture and worship, positioning 2819 Worship to bring its distinct sound and message to audiences worldwide. As Reach Records continues to expand its influence across genres, the addition of 2819 Worship underscores a shared mission: to elevate the name of Christ through music that transcends boundaries and reaches every generation.

For more information on the signing of 2819 Worship, please visit www.reachrecords.com.

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Culture

Naomi Raine & Chandler Moore Announce Their Exits from Maverick City Music: The End of an Era and the Beginning of Something New

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Naomi Raine and Chandler Moore have officially announced their exits from Maverick City Music, marking a major shift for one of the most influential worship collectives of the past decade.

The news arrives without scandal or spectacle, but it still carries weight. Maverick City Music didn’t just produce songs — it helped reframe what worship could sound like, look like, and feel like for a generation raised on genre-blending playlists, vulnerability, and authenticity. Naomi and Chandler were central to that identity.

In many ways, the transition had already begun.

Just weeks before the announcement, Naomi Raine released her solo project, Jesus Over Everything, on September 14. The album feels stripped-back and intentional, less focused on communal anthems and more on personal conviction. Songs like “Lost in Hallelujah” lean into restraint rather than climax — worship that doesn’t rush resolution or try to sound bigger than it is.

Addressing the shift directly, Naomi framed the moment as growth rather than departure.

“This isn’t really an ending. It’s a new beginning. A new chapter,” she wrote. “I learned so much about God, about people, and about myself. Every song was written from a pure place — just wanting to please God.”

Her statement reflects a throughline that’s been present throughout her work: faith as something lived and evolving, not fixed or performative.

Chandler Moore followed with his own message, emphasizing clarity and forward momentum rather than nostalgia.

“These last few years have been locked in on what really matters in my life and my career,” he shared. “It’s been scary at times, but full of fresh vision and real excitement about the future.”

That recalibration has increasingly shaped Chandler’s solo direction, which he says is focused less on production and more on connection.

“I’m stepping into the next phase, ready to make music that helps people feel a little more human, a little more understood, and a little less alone.”

That approach mirrors what drew so many listeners to Maverick City Music in the first place. The collective disrupted traditional worship norms by embracing cultural nuance, emotional honesty, and musical hybridity — pulling from gospel, CCM, soul, and contemporary Black music without forcing clean lines between them.

Naomi and Chandler weren’t just contributors to that sound — they helped define it.

Their exits don’t signal an abandonment of that vision so much as an expansion of it. Naomi’s Jesus Over Everything and Chandler’s forthcoming solo work suggest both artists are exploring what faith-centered music looks like when it’s untethered from a single collective framework.

For fans, the moment may feel like the closing of a chapter — but Maverick City Music was always designed as a community, not a container. Its influence was never meant to stop at the group itself.

As Chandler put it plainly:

“The dream hasn’t changed. The sound continues.”

What changes now is scale and direction, not intent.

Naomi Raine and Chandler Moore aren’t leaving behind what they helped build. They’re carrying it forward — on their own terms, in their own voices, and into whatever comes next.


About ArtSoul Radio

ArtSoul Radio is a faith-forward media and culture platform spotlighting the intersection of Christian R&B, Gospel, CHH, and creative expression. Through storytelling, sound, and community, we amplify the voices shaping the next era of faith-driven culture.

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Events

The Stellar Plus Experience Is Back!

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The Stellar Plus Experience is the official, multi-day event leading up to the Stellar Gospel Music Awards. It’s a celebration of faith, music, and culture, offering a range of activities beyond the main awards show. This includes masterclasses, fashion showcases, comedy shows, and special events that enhance the overall Stellar Awards experience. This has also become the space for emerging talent show up and be heard. Don’t miss this experience during Stellar weekend! There will be something for everyone!

For more details on all of the available events for this year, visit the Stellar Plus Experience website: www.stellarexperienceplus.com

SCHEDULE OF EVENTS

*Subject to change*

THURSDAY, AUGUST 14, 2025

10a – 2p: Stellar Central Hub 

2p – 4p: Stellar Masterclass

7p – 8p: Stellar 40 Welcome Mixer

8p – 10:30p: Stellar Unplugged



FRIDAY, AUGUST 15, 2025

8:30a – 10a: Opening Keynote Address

8a – 2p: Stellar Central Hub

11a – 2p: GameChangers Fashion Experience

2p – 4p: Stellar Talks: Fireside Chat + Mixer

9:30p – 12a: Stellar StandUp Comedy Show


SATURDAY, AUGUST 16, 2025

​​4:30p: 40th Stellar Gospel Music Awards

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